I’ve used the compressor for vocals, room mics, guitars, and bass. It gets you loud and clear, right up to the edge of peaking, but without stepping over. And these days, that’s what a lot of clients are wanting.

I’m extremely pleased with the quality and the performance. I had about given up on getting a mic pre as most are too expensive for my budget and the cheaper ones probably wouldn’t have satisfied me. The Pro MPA II met all my needs; great warm tube sound, great price and exceptional quality. If you’re getting started into pro audio and are looking to upgrade, this is a great buy. Let me put it this way, even if I had a hundred other preamps to choose from I would still deem this worthy of taking up some space in my rack. It might seem like a mediocre preamp at it’s price point, but after 2 years of upgrading to better gear I still find myself using it all the time.

• Even though I have some more expensive pre’s now I still use this in the studio.
• I just copped a ADK Vienna Mk8, for less than 2 hundred, and i have no phantom power supply so i can’t even use it until i get a preamp..
• It’s a solid state amplifier with a tube used for voicing.
• Instead its very subtle and has its uses, but I wanted more color personally and this wasn’t it.
• Additionally, I had waited to purchase this unit for a long time and read a lot about it before hand so that I knew it was right for me and what I planned to use it for.
• Only one or two of the tube drive LEDs came on, and this arrangement produced the most transparent, natural‑sounding result.

While it will not give you an ultra fast attack as a SSL Master Bus or an 1176, the Pro VLA II has a respectable fast attack and, most of all, a natural sounding. One thing that I discovered only after 2 weeks of use – the attack and release knobs changes the ratio and vice-versa. So, if it is not exactly the sound you want, try very subtle tweaking the attack, release and ratio knobs. This compressor It is another kind of animal, a totally different way to achieve compression. If I only had Art Pro VLAs to mix, I would be capable of do a good job.

Warm Audio Tb12 Tone Beast Microphone Preamplifier

When removing https://tus-tischtennis.de/ protective film, one of the meter needle got a jolt of electrostatic charge and it was hovering near the middle of the readout for a couple of days . Recorded vocals, bass, acoustic and electric guitars, all with great results. It’s solidly built, with – wonder of wonders – stepped controls for the major parameters for easy recall.

Versatile, Nice Sound

This unit is great and when you switch the voltage on the face of the unit it gets even better. Tons of warm saturation, its a great bass DI. One thing I suggest is to get a NOS Mullard Tube and a NOS Telefunken tube. I did this with my unit and the differences were subtle yet noticeable. I basically had 2 different tones from each channel.

Either way, no option meant I had to find a new solution. Better this way anyway because receivers have never had good sounding DRC. It’s warm and musical, and can compress while sounding natural. It can also pump and squash if you push it enough. After many tracking and mixing sessions with mine, I eventually started to master with it as well. It sounds great, even compared to masters that I used much more boutique compressors on.

Pro Dynamic Processors

Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use.

Populair From Art

Reviewers gave this product an overall rating of 5 out of 5 stars. Radial McBoost has low-med-high 600Ω / 2.7kΩ / 30kΩ and variable gain knob which is cool. The Soyuz Launcher has the lowest impedance of all the boosters I have seen out there. At 1k it’s the beginning of low as mic loading goes.